Cirlot and I are just now discussing why cyberpunk seems to be big in Germany, but not in the US. I think it has something to do with economic circles and the fact that Germanys more advanced social security system prevented the necessary angst till now (Germany just saw a massive decrease in social security in the last years. We are back to public soup kitchens!)
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Charlie Jane Anders thinks
So what’s going on here? A few explanations suggest themselves. Movie execs may greenlight dystopian films during economic downturns, and their immediate aftermath, but it may take a few years for those films to work their way through the development process and hit your screens. But it’s also possible that when things are at their brightest economically, people feel the most insecure because they know the good times won’t last forever. So boom times are when people most need stories about people surviving the bad times. Or maybe it’s just that film-makers are a contrary bunch, who want to rub your face in the dirt just when you’re feeling your brightest.
So what? Even I’m sometimes wrong. Please don’t tell my girlfriend.